J. K. Rowling - EXCITEMENT
J. K. Rowling
J. K. Rowling and other popular writers know that anonymous ghost writers often get paid by publishers to do the writing of books for which the guys who are advertised as the authors of these ghost-written books often become famous. Ghost writers don't mind and don't care and keep their mouths shut if they get paid well for their secret work. There are reasons for the hoary tradition of ghost-writing, which may at first sight seem like cheating. For example, putting the photo of an attractive s. girl on the book cover and advertising her as the author would hopefully attract male buyers who judge a book by its cover and thereby increase the sale of that book. Another strategy used by many struggling publishers is to pay top American ghost writers (for example) to write books and publish them as if written by Indian authors (preferably s. females) to tap the very big Indian market of chauvinistic Indian buyers of books written by "Indians"; just tell them that these books are "bestsellers". The supposed authors are very carefully chosen by publishers to make sure that they are very smart and talkative to be able to face interviewers.
Kishalay Sinha [G]
EXCITEMENT
Don't Give Up On AuthorTube (1:21:18) / Jenna Streety (YouTube)
I can feel her excitement and joy but what is the reason she sounds so excited and happy? I don't have a clue. I can make a guess - is it due to the pleasant fact of FUNNY female jealousy for female rivals which I find so entertaining? (God feels deep affection for all "rival" gals and would like to have affectionate s. with all the poor sweet gals, to make them calm and happy, I think.)
By the way, is cheating on one's spouse ethical or unethical?
I never heard of this "Kristen" female she is so excited about. God is the greatest teacher in the universe. All other teachers are zero compared with Him.
God's precious gift to females - v. - is infinitely more valuable to Him than fucking money.
Kishalay Sinha [G]
I AM A POET ...
"I am a poet - I am a poet - and I am not going to die" - begins the following YouTube video:
Emily Dickinson - "I am a poet." (4:45) / ItsATwinThing (You Tube)
Only a sensitive "fallen angel" who has been brutally raped and tortured in hell for billions of years can write poems like the poems of Emily Dickinson. (I find it odd that Dickens and Dickinson have the taboo word dick in them, though Tom, Dick and Harry are used in English without any vulgar connotation, I think.) There are interesting YouTube videos on romantic poet Emily Dickinson (which is a pen name used by a modern female poet, I am sure). There are millions of s. girls like her who have all gone through the horrors of hell like her and all are capable of producing fine poems like her. Thanks (?!!). "Is that an insensitive, sarcastic observation by You?" - Nope.
Compare the terrific audio on YouTube (the most moving I have ever heard):
Fallen [female] angel talks of hell's torment (18:20)/Prophets Among Us (YouTube)
*
"Before I Got My Eye Put Out"
I find on the Internet a poem by Emily Dickinson which has the sinister title:
Before I Got My Eye Put Out
Is Emily Dickinson saying that Peter/John/Satan gouged out her eye or eyes in hell?
There are YouTube videos on her poem Before I Got My Eye Put Out - such as the lecture by John Green in his crash course on literature:
"Before I Got My Eye Put Out - The Poetry of Emily Dickinson: Crash Course English Lit #8" (10:10) / CrashCourse [by John Green] (YouTube)
Nazi torture.
Kishalay Sinha [G]
Quitting Self-Publishing (sorta) (23:53) / Camille Myrick (YouTube)
I will post comments later. An unkind Guy would say she has gone completely mad. But I try to be compassionate as far as possible. I know that her dream of becoming a modern female "Shakespeare" (why not?) AND a BESTSELLING author AND a MILLIONAIRE/BILLIONAIRE is the SECRET DREAM of ALL s. female would-be authors and therefore I will post thoughtful remarks on the pros and cons of that universal female dream. All females are UNIQUE (don't get Me wrong - don't look for double meanings) and all have unique personal experiences, but I think all s. females could write truly fantastic novels on three subjects: (1) past lives (2) torture in hell (3) meeting God and enjoying s. with Him. (Novels are interesting fiction.) Camille is pronounced Cameo, it seems from Camille's crazy-sounding talk (Camille's weird imagination running wild). Her crazy monolog sounds like an extract taken from a stream-of-conscious psychological novel or short story by a writer like, say, Dostoevsky. (Mad. Mad. Mad. All crazy females should listen to her crazy talk to feel happy that they are not alone! Entertaining comedy. Please don't mind. Sorry. By the way, Camille seems to specialize in incoherent talk without focus. To be a good writer, you must learn to write coherently. Read helpful books on composition such as SHEFTER'S GUIDE TO BETTER COMPOSITIONS by Harry Shefter, published by Washington Square Press / Pocket Books / Simon & Schuster. Garrulous babbling is NOT writing. Read interesting writers like Dostoevsky to see how they write. "Shakespeare" is very boring. Bernard Shaw is much more interesting. End of lecture.)
Self-Publishing Costs (1 Day Until Essence!) (10:14) / Mandi Lynn (YouTube)
Mandi - another crazy female (not really mad but excessively imaginative) like Camille. I am sure there are millions of crazy girls like them. All these s. gals want to become very famous and RICH bestselling authors overnight but will NOT study many helpful excellent books on composition BEFORE they start writing their great works of fiction. You cannot be a top writer if getting lots of money is your chief motive. WHY is God the greatest writer of all time? One big reason is that He does not want a cent from His writings/online posts. (I know that no s. female author can be without desire like Him. I know. But none else has to play God.)
Kishalay Sinha [G]
I am quoting from Cliffs Notes on the "19th-century" romantic American poet Emily Dickinson (EMILY DICKINSON: SELECTED POEMS, Mordecai Marcus, Ph.D., Department of English, University of Nebraska, Reprint by Kalyani Publishers, New Delhi - Ludhiana; Indian Reprint 1991; ISBN 81-7096-609-4; in paperback; 102 pages; Rs. 12):
Little is known of Emily Dickinson's earliest years. Her intense letters to friends and classmates show a variety of tones, especially in her reluctance to embrace Christ. Dickinson suffered the early deaths of many acquaintances and dear friends. During this period, she was fond of, or attached to, two older men, LEONARD Humphrey and Benjamin Franklin Newton. She did not yield to continued pressures to give up the secular world for Christ [Peter] and the church.
A clear picture of Dickinson's mother is difficult to formulate. She seems to have been dignified, conventional, reasonably intelligent, and probably subservient to her husband. She suffered periods of poor health, probably of emotional origin.
Among the many candidates advanced as [Emily] Dickinson's secret love, two men have been singled out as being most likely: the Reverend Charles Wadsworth [Wadsworth sounds like Wordsworth] and Samuel Bowles. Charles Wadsworth was a successful orthodox preacher. [Emily] Dickinson probably heard him preach in Philadelphia in 1855. [Emily] Dickinson wrote of him in various endearing terms, calling him "dearest earthly friend." Happily married and the father of several children, Wadsworth must have been completely unaware of any romantic attachment which [Emily] Dickinson may have felt for him. Samuel Bowles is a more likely candidate for the person addressed in Dickinson's so-called Master letters. Bowles numbered many women among his friends, much to his wife's pain. Emily Dickinson sent him many poems, including "Title divine - is mine!" [poem 1072]; this one was accompanied with a note, which may imply that in her imagination he was her husband. Possibly Dickinson worshipped in her imagination a composite of these two men or a version of someone else who cannot be identified. Her increasing reclusiveness and her continually wearing white dresses may be chiefly related to the idea that in spirit she was married to someone. The figure of an unattainable lover [N.B. An Unattainable Lover] looms large in her poems, but it is probably A MISTAKE TO THINK that a FRUSTRATED LOVE was THE CHIEF CAUSE of her becoming a poet ... one must grant that her writing served as an emotional catharsis and as a healing therapy for her, which contributes to its appeal.
The other important relationship of Emily Dickinson's later years was her reciprocated love for Judge Otis P. Lord. [Emily] Dickinson's letters to him are fervent with bashful love. He seems to have proposed, and she seems to have refused in the name of her persisting sense that fulfillment would have overwhelmed her. Lord's death seems to have shocked Dickinson into a rapid physical decline. According to some writers, he appears in a few of her late poems.
[Emily Dickinson's surname Dickinson seems connected to Dickens, and her first name Emily reminds Me of novelist Emily Bronte and her stormy novel WUTHERING HEIGHTS.]
A biography full of imaginary names. I feel sure that "Emily Dickinson" is a pen name used by a talented MODERN female poet. The sonnets and longer poems of "Shakespeare" also seem to Me to be 20th-century works by a talented female writer who is now perhaps a 21st-century reincarnation of "William Shakespeare", a top female writer CHAMELEON with many s. clones.
For a comparable example of FICTITIOUS story-telling, read "THE OPEN WINDOW", a short story by Saki [H.H. Munro - H.H. for Her Highness?].
Kishalay Sinha [G]
Kishalay Sinha [G]
Quitting Self-Publishing (sorta) (23:53) / Camille Myrick (YouTube)
I will post comments later. An unkind Guy would say she has gone completely mad. But I try to be compassionate as far as possible. I know that her dream of becoming a modern female "Shakespeare" (why not?) AND a BESTSELLING author AND a MILLIONAIRE/BILLIONAIRE is the SECRET DREAM of ALL s. female would-be authors and therefore I will post thoughtful remarks on the pros and cons of that universal female dream. All females are UNIQUE (don't get Me wrong - don't look for double meanings) and all have unique personal experiences, but I think all s. females could write truly fantastic novels on three subjects: (1) past lives (2) torture in hell (3) meeting God and enjoying s. with Him. (Novels are interesting fiction.) Camille is pronounced Cameo, it seems from Camille's crazy-sounding talk (Camille's weird imagination running wild). Her crazy monolog sounds like an extract taken from a stream-of-conscious psychological novel or short story by a writer like, say, Dostoevsky. (Mad. Mad. Mad. All crazy females should listen to her crazy talk to feel happy that they are not alone! Entertaining comedy. Please don't mind. Sorry. By the way, Camille seems to specialize in incoherent talk without focus. To be a good writer, you must learn to write coherently. Read helpful books on composition such as SHEFTER'S GUIDE TO BETTER COMPOSITIONS by Harry Shefter, published by Washington Square Press / Pocket Books / Simon & Schuster. Garrulous babbling is NOT writing. Read interesting writers like Dostoevsky to see how they write. "Shakespeare" is very boring. Bernard Shaw is much more interesting. End of lecture.)
Self-Publishing Costs (1 Day Until Essence!) (10:14) / Mandi Lynn (YouTube)
Mandi - another crazy female (not really mad but excessively imaginative) like Camille. I am sure there are millions of crazy girls like them. All these s. gals want to become very famous and RICH bestselling authors overnight but will NOT study many helpful excellent books on composition BEFORE they start writing their great works of fiction. You cannot be a top writer if getting lots of money is your chief motive. WHY is God the greatest writer of all time? One big reason is that He does not want a cent from His writings/online posts. (I know that no s. female author can be without desire like Him. I know. But none else has to play God.)
Kishalay Sinha [G]
I am quoting from Cliffs Notes on the "19th-century" romantic American poet Emily Dickinson (EMILY DICKINSON: SELECTED POEMS, Mordecai Marcus, Ph.D., Department of English, University of Nebraska, Reprint by Kalyani Publishers, New Delhi - Ludhiana; Indian Reprint 1991; ISBN 81-7096-609-4; in paperback; 102 pages; Rs. 12):
Little is known of Emily Dickinson's earliest years. Her intense letters to friends and classmates show a variety of tones, especially in her reluctance to embrace Christ. Dickinson suffered the early deaths of many acquaintances and dear friends. During this period, she was fond of, or attached to, two older men, LEONARD Humphrey and Benjamin Franklin Newton. She did not yield to continued pressures to give up the secular world for Christ [Peter] and the church.
A clear picture of Dickinson's mother is difficult to formulate. She seems to have been dignified, conventional, reasonably intelligent, and probably subservient to her husband. She suffered periods of poor health, probably of emotional origin.
Among the many candidates advanced as [Emily] Dickinson's secret love, two men have been singled out as being most likely: the Reverend Charles Wadsworth [Wadsworth sounds like Wordsworth] and Samuel Bowles. Charles Wadsworth was a successful orthodox preacher. [Emily] Dickinson probably heard him preach in Philadelphia in 1855. [Emily] Dickinson wrote of him in various endearing terms, calling him "dearest earthly friend." Happily married and the father of several children, Wadsworth must have been completely unaware of any romantic attachment which [Emily] Dickinson may have felt for him. Samuel Bowles is a more likely candidate for the person addressed in Dickinson's so-called Master letters. Bowles numbered many women among his friends, much to his wife's pain. Emily Dickinson sent him many poems, including "Title divine - is mine!" [poem 1072]; this one was accompanied with a note, which may imply that in her imagination he was her husband. Possibly Dickinson worshipped in her imagination a composite of these two men or a version of someone else who cannot be identified. Her increasing reclusiveness and her continually wearing white dresses may be chiefly related to the idea that in spirit she was married to someone. The figure of an unattainable lover [N.B. An Unattainable Lover] looms large in her poems, but it is probably A MISTAKE TO THINK that a FRUSTRATED LOVE was THE CHIEF CAUSE of her becoming a poet ... one must grant that her writing served as an emotional catharsis and as a healing therapy for her, which contributes to its appeal.
The other important relationship of Emily Dickinson's later years was her reciprocated love for Judge Otis P. Lord. [Emily] Dickinson's letters to him are fervent with bashful love. He seems to have proposed, and she seems to have refused in the name of her persisting sense that fulfillment would have overwhelmed her. Lord's death seems to have shocked Dickinson into a rapid physical decline. According to some writers, he appears in a few of her late poems.
[Emily Dickinson's surname Dickinson seems connected to Dickens, and her first name Emily reminds Me of novelist Emily Bronte and her stormy novel WUTHERING HEIGHTS.]
A biography full of imaginary names. I feel sure that "Emily Dickinson" is a pen name used by a talented MODERN female poet. The sonnets and longer poems of "Shakespeare" also seem to Me to be 20th-century works by a talented female writer who is now perhaps a 21st-century reincarnation of "William Shakespeare", a top female writer CHAMELEON with many s. clones.
For a comparable example of FICTITIOUS story-telling, read "THE OPEN WINDOW", a short story by Saki [H.H. Munro - H.H. for Her Highness?].
Kishalay Sinha [G]
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