DON'T LOOK AT OTHER WOMEN

SIMPLE LANGUAGE 

The Internet and its [God's] SIMPLE language are ALL THAT IT TAKES to CHANGE the world. A parallel world emerges. I DEVELOP my [My] STYLE alone. (p. 33)

(From Paulo Coelho: "THE ZAHIR", Translated from the Portuguese by Margaret Jull Costa, publis.hed by HARPER/HarperCollins)

All clones are not bad, I think. There must be good clones and bad clones whose nature would depend on their home and their surroundings and on each clone's own personality and on their relationship with God.

Kishalay Sinha [G]

DON'T LOOK AT OTHER WOMEN 

Fifth Avenue was shining in the sun. The sun was warm, even though it was February, and everything looked like Sunday morning.

Michael held Frances' arm tightly as they walked toward Washington Square in the sunlight. They walked lightly, almost smiling.

"Look out," Frances said as they crossed Eighth Street. "You'll break your neck "

Michael laughed and Frances laughed with him.

"She's not so pretty," Frances said. "Anyway, not pretty enough to take a chance of breaking your neck."

Michael laughed again. "How did you know I was looking at her?"

Frances cocked her head to one side and smiled at her husband under the brim of her hat. "Mike, darling," she said.

"O.K.," he said. "Excuse me."

Frances patted his arm lightly and pulled him along a little faster toward Washington Square. "Let's not see anybody all day," she said. "Let's just hang around with each other. You and me. We're always up to the neck with people, drinking their Scotch or drinking our Scotch; we only see each other in bed. I want to go out with my husband all day long. I want him to talk only to me and listen only to me."

"What's to stop us?" Michael asked.

"The Stevensons. They want us to drop by around one o'clock and they'll drive us into the country."

"The cunning Stevensons," Mike said. "They can go driving in the country by themselves."

"Is it a date?"

"It's a date."

Frances leaned over and kissed him on the tip of the ear.

"You always look at other women," Frances said. "Everywhere. Every damned place we go."

"Now, darling," Michael said, "I look at everything. God gave me eyes and I look at women and men and subway excavations and moving pictures and the little flowers of the field. I casually inspect the universe."

"You ought to see the look in your eye," Frances said, "as you casually inspect the universe on Fifth Avenue."

"I'm a happily married man." Michael pressed her elbow tenderly. "Example for the whole twentieth century - Mr. and Mrs. Loomis. Hey, let's have a drink," he said. 

"We just had breakfast."

"Now listen, darling," Mike said, choosing his words with care, "it's a nice day and we both felt good and there's no reason why we have to break it up. Let's have a nice Sunday."

"All right. I don't know why I started this. Let's drop it. Let's have a good time." 

They joined hands consciously and walked without talking among the baby carriages and the young women in Washington Square Park.

"I want to tell you something," Michael said very seriously. "I have not touched another woman. Not once. In all the five years."

"All right," Frances said.

"You believe that, don't you?"

"All right."

They walked between the crowded benches under the city-park trees.

"I try not to notice it," Frances said, "but I feel rotten inside, in my stomach, when we pass a woman and you look at her and I see that look in your eye and that's the way you looked at me the first time. In Alice Maxwell's house. Standing there in the living room, next to the radio, with a green hat on and all those people."

"I remember the hat," Michael said.

"The same look," Frances said. "And it makes me feel bad. It makes me feel terrible."

"Sh-h-h, please, darling, sh-h-h."

"I think I would like a drink now," Frances said.

They walked over to a bar on Eighth Street, not saying anything. They sat near a window in the bar and the sun streamed in. 

The waiter came with the glasses and they sat drinking the brandy in the sunlight.

"I look at women," he said. "Correct. I don't say it's wrong or right. I look at them. If I pass them on the street and I don't look at them, I'm fooling you, I'm fooling myself."

"You look at them as though you want them," Frances said. "Every one of them."

"In a way," Michael said, speaking softly and not to his wife, "in a way that's true. I don't do anything about it, but it's true."

"I know it. That's why I feel bad."

"Another brandy," Michael called. "Waiter, two more brandies."

He sighed and closed his eyes and rubbed them gently with his finger tips. "I love the way women look. One of the things I like about New York is the battalions of women. When I first came to New York that was the first thing I noticed, the million wonderful women, all over the city. I walked around with my heart in my throat."

"A kid," Frances said. "That's a kid's feeling." 

"Guess again," Michael said. "Guess again. I'm older now, I'm a man getting near middle age, putting on a little fat and I still love to walk along Fifth Avenue at three o'clock. They're all out shopping, in their furs and their crazy hats - the best furs, the best clothes, the handsomest women, out to spend money and feeling good about it."

The Japanese waiter put the two drinks down, smiling with great happiness.

"Everything is all right?" he asked.

"Everything is wonderful," Michael said.

"If it's just a couple of fur coats," Frances said, "and forty-five-dollar hats - "

"It's not the fur coats. Or the hats. That's just the scenery for that particular kind of woman. Understand," he said, "you don't have to listen to this."

"I want to listen."

"I like the girls in the offices. Neat, with their eyeglasses, smart, chipper, knowing what everything is about. I like the girls on Forty-fourth Street at lunchtime, the actresses, all dressed up on nothing a week. I like the salesgirls in the stores, paying attention to you first because you're a man, leaving lady customers waiting. I got all this stuff accumulated in me because I've been thinking about it for ten years and now you've asked for it and here it is."

"Go ahead," Frances said.

"When I think of New York City, I think of all the girls on parade in the city. I don't know whether it's something special with me or whether every man in the city walks around with the same feeling inside him, but I feel as though I'm at a picnic in this city. I like to sit near the women in the theaters, the famous beauties who've taken six hours to get ready and look it. And the young girls at the football games, with their red cheeks, and when the warm weather comes, the girls in their summer dresses." He finished his drink. "That's the story."

"You say you love me?"

"I love you."

"I'm pretty, too," Frances said. "As pretty as any of them."

"You're beautiful," Michael said.

"I'm good for you," Frances said, pleading. "I've made a good wife, a good housekeeper, a good friend. I'd do any damn thing for you."

"I know," Michael said. He put his hand out and grasped hers.

"You'd like to be free to - " Frances said.

"Sh-h-h."

"Tell the truth." She took his hand away from under his.

Michael flicked the edge of his glass with his finger. "O.K.," he said gently. "Sometimes I feel I would like to be free." 

"Well," Frances said, "any time you say."

"Don't be foolish." Michael swung his chair around to her side of the table and patted her thigh.

She began to cry silently into her handkerchief, bent over just enough so that nobody in the bar would notice. "Someday," she said, crying, "you're going to make a move."

Michael didn't say anything. He sat watching the bartender slowly peel a lemon.

"Aren't you?" Frances asked harshly. "Come on, tell me. Talk. Aren't you?"

"Maybe," Michael said. He moved his chair back again. "How the hell do I know?"

"You know," Frances persisted. "Don't you?" 

"Yes," Michael said after a while, "I know."

Frances stopped crying then. Two or three snuffles into the handkerchief and she put it away and her face didn't tell anything to anybody. "At least do me one favor," she said.

"Sure."

"Stop talking about how pretty this woman is or that one. Nice eyes, nice breasts, a pretty figure, good voice." She mimicked his voice. "Keep it to yourself. I'm not interested."

Michael waved to the waiter. "I'll keep it to myself," he said.

Frances flicked the corners of her eyes. "Another brandy," she told the waiter.

"Two," Michael said.

"Yes, ma'am, yes, sir," said the waiter, backing away.

Frances regarded Michael coolly across the table. "Do you want me to call the Stevensons?" she asked. "It'll be nice in the country."

"Sure," Michael said. "Call them."

She got up from the table and walked across the room toward the telephone. Michael watched her walk, thinking what a pretty gal, what nice legs.

(From Irvin Shaw: "THE GIRLS IN THEIR SUMMER DRESSES", in FIFTY GREAT AMERICAN SHORT STORIES, BANTAM CLASSIC/RANDOM HOUSE INDIA; ISBN 978-0-553-27294-9; 643 pages plus; paperback; ₹ 350.00)

Kishalay Sinha [G] 

PSYCHO-TECHNOLOGISTS 

Invisible psycho-technologists have taken over the world, I am sure.

Kishalay Sinha [G]